'The starting point of the Udta Punjab casting was that we didn't think stars would do a film like this, so we'd take non-stars. As the names kept rolling in and we had Kareena Kapoor and Shahid and Alia Bhatt, I was like yaar yeh ho kya raha hai?'
And it's written with tears, blood and unspoken lines.
The book Effective People by Dr TV Rao features inspiring examples of success icons from across the world.
'Hrishi-da often voiced his disenchantment with Bachchan's Angry Young Man persona -- the 'maara-maari', the growth of sidelocks; he even said directors were killing Amitabh the actor and turning him into a stuntman. Yet, as Jaya Bhaduri jovially pointed out, the seeds of that seething persona can be found in Anand and Namak Haraam.'
'I remember Madhuri Dixit was very scared to do a rape scene with me in Prem Pratigyaa. After the shot, she said she couldn't even feel me touching her.' Ranjeet gets candid about his 'villainous' career.
'Of all the Superstar Khans, I still believe that Shah Rukh Khan is the one most capable of surprising me,' says Sreehari Nair. 'I always have this feeling that that great Shah Rukh Khan turn that would somehow hold all his vaporously brilliant elements together is just around the corner.'
'If you batted an eyelid and drifted the vehicle a little, you'd certainly hit the unsteady rocks and meet your end. Or so it seemed.' 'By the way, did I tell you that we were cruising at approximately 12,000 feet and above?'
For more than 23 years, Bhanwari Devi, who was gang-raped for speaking out against the marriage of two babies, has been fighting a lonely battle for justice. Rashme Sehgal traveled to Dausa in Rajasthan to meet the courageous woman, a winner of the Neerja Bhanot Award for bravery, a symbol of Indian women's struggle.
Karan Johar describes his relationship with Shah Rukh Khan in his memoir, An Unsuitable Boy.
'Please, ye gods of Bollywood: Someday, give us a tightly edited film, with believable characters and dialogue, definitely without endless close-ups of dabbas. Then maybe you won't need to moan mournfully about missing the Oscar bus with a film that doesn't belong there anyway,' says Dilip D'Souza.
Youngistaan neither says something new nor does it reinforce time-tested wisdom in a way that you actually want to pay attention to it, feels Paloma Sharma.
The work of Norman Borlaug, who helped save billions from starvation, is worth recalling, especially as opposition to gene-modified crops mount, says Shreekant Sambrani.
Sylvia Dyer's life began nearly 90 years ago in a forgotten, untamed land. She spent her childhood on a plantation on the Bihar-Nepal border in pre-Independent India, lived through the '65 war as the wife of a decorated army officer and saw an era grow and fade in front of her eyes.
'I think I've got to see Happy New Year but people have told me that I would like Haider,' The Best Of Me director Michael Hoffman tells Paloma Sharma.
Talented, rebellious, obsessive: Ranjita Ganesan and Dhruv Munjal find traces of the actor's different streaks in Mandi, Chandigarh and Mumbai.
Do not let the advantage of flexible work hours impact your sanity.
'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
'As the night wore on, we could hear insects, see fireflies and slowly, the stars took over the naked sky.' 'For those of us who spend the largest part of our lives in a cement jungle and wake up to machine sounds, this was music.'
Twenty-eight years ago almost to the day, 37 unarmed Muslims were killed in cold blood, an act of wanton violence for which no one has so far been held guilty. Jyoti Punwani and photographer Uttam Ghosh visited the Meerut locality after the trial court recently acquitted the security personnel charged with the killings, and found a town untouched by its grim past.
From Boyhood to The Grand Budapest Hotel, we've seen some brilliant cinema this year.
Kapil Sharma, the anchor of Comedy Nights with Kapil, is the hottest property on Indian television today
'I kept telling myself I'd quit after every film. I saw myself in my first Hindi film Kashmir Ki Kali and I didn't like myself. I said, one more film and I'm done. But it continued.' Sharmila Tagore gets candid on her 70th birthday.
'Most of the time we do close-ups you'll be looking at the camera or your main lead, your leading lady, is left of the camera, right of the camera -- she's never there. So, your best close-ups are looking at some unfortunate-looking assistant director or a cameraman. All the romantic close-ups I'm looking at some guy.' Salman Khan tells P Rajendran/ Rediff.com how he shoots his romantic scenes.
